【空場週五錄像夜Polymer Pop-Up Screening|《Office for Monument Construction》】
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活動名稱:Polymer Pop-Up Screening 空場週五錄像夜
時間:2017年3月24日(五) 19:00-22:00
地點: 空場 Polymer 四樓(台北市北投區北投路一段9號4樓)
播映影片:Office for Monument Construction.
來自波蘭的錄像藝術家卡洛琳娜‧布瑞秋拉將播放2016年作品"Office for Monument ...
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【空場週五錄像夜Polymer Pop-Up Screening|《Office for Monument Construction》】
For English Please Scroll Down
活動名稱:Polymer Pop-Up Screening 空場週五錄像夜
時間:2017年3月24日(五) 19:00-22:00
地點: 空場 Polymer 四樓(台北市北投區北投路一段9號4樓)
播映影片:Office for Monument Construction.
來自波蘭的錄像藝術家卡洛琳娜‧布瑞秋拉將播放2016年作品"Office for Monument Construction",內容闡述一群來自已經消失的小鎮的人群,在無處安身的狀況下住進位於都市鬧區的廢棄集合住宅當中,然而這個暫時棲身之處也將拆遷,在各種窘迫情境的壓力下創造出了屬於這群人自身的邏輯和現實,不斷反覆上演既定的橋段。這群角色們試圖找到能夠定位自身認同的方式,而這段建立自我紀念館舍的故事,也悄然展開...
藝術家簡介:
卡洛琳娜‧布瑞秋拉,1979年出生,目前居住於波蘭華沙。創作領域包含裝置藝術、偶發藝術、錄像製作、攝影拍攝等。她畢業於洛茲電影學院,目前專攻該學院的博士班。她曾於義大利威尼斯雙年展、美國紐約猶太博物館、波蘭華沙國家博物館,及波蘭華沙Zachęta 國家美術館表演以及展出。 獲獎: Views 2013、Samsung Art Master 2007 榮譽: 波蘭文化部獎學金、Młoda Polska and Visegrad獎學金 以及國際維榭格勒基金會獎學金 作品: Fire-Followers(2013)、Art Translating Agency(2010)以及Let Them See Us(2003)。
*藝術家將於映後開放問答並參與討論。
*現場備有簡單小點,影片有英文字幕,沒有中文字幕。
Polymer Pop-Up Screening
Time: 2017.03.25 19:00-21:00
Venue: 4F Polymer (No.9 Sec.1 Beitou Rd.)
OFFICE FOR MONUMENT CONSTRUCTION
2016, film, 72 min
Office for Monument Construction tells the story of people who come from a town which no longer exists. Having no better place to stay, they inhabit a deserted concrete complex situated in the middle of a vibrant city. However, this surrogate home is bound for demolition. Within this precarious situation, the characters find reassurance and order by creating their own logic and reality, performing strange repetitive games and routines. The characters are on a tireless search for something which might define and represent their identity. The result is an assortment of unusual objects. Gradually a museum-like collection, built around a fictitious narrative, begins to emerge.
Karolina Breguła (b. 1979)
artist working in the fields of film, video, photography, installation and happening. Graduate of the Film School in Łódź, where she received her PhD in 2015. Her work explores the problems of the status of the artwork, the materiality of art objects and their functioning within the institutional frameworks. The artist also scrutinises the reception of contemporary art and undermines official art narrations, questioning their hermetic language and opening them to new interpretations. Breguła encourages viewers to actively participate in the process, to interact and to challenge the established manners of reception. The artist also explores the problematic of the social role of art and the myths that revolve around it. Despite her awareness of the involved limitations, Breguła attempts to take art out of the gallery space. Her films inhabit the borderland of contemporary art and the cinema – they are shown both at art galleries and film festivals.
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